Mandhira Punnagai Movie Direct 17 _VERIFIED_
Mandhira Punnagai Movie Direct 17 --->>> https://tlniurl.com/2t0ltI
After working in movies such as Thodakkam, Ananda Thandavam, Mandhira Punnagai Gaganam and Payanam, as well as TV shows such as Sundarakandaand Idhu Oru Kadhal Kathai, the actor is back to where he started- the stage. Naturally, he is extremely kicked about getting back to direction after a gap of six years. He says, I cant help but thank people who have had faith in me. The producer of the play Arul Oli saw me fit to direct and act in a play just when people thought I was done with theatre. Produced under the Madras Theatre Lights banner, the play is titled Raj And His Red Hot Lovers.
Nandalala is a 2010 Indian Tamil-language independent drama film written and directed by Mysskin. He himself plays the lead role, alongside newcomer Ashwath Ram and Snigdha Akolkar. The film, which is produced by Ayngaran International and features a highly acclaimed musical score by Ilaiyaraaja, is based on the 1999 Japanese film Kikujiro,[1][2] and partly inspired from Mysskin's life.[3][4] The movie was an average grosser.
Ratings:***Karu Pazhaniyappan, who has made reasonably thought-provoking films like"Parthiban Kanavu" and "Pirivom Sandhippom", turns hero with"Mandhira Punnagai". After exploring human relationships in his firsttwo directorial ventures, Palaniyappan attempts to look into human livespsychologically.In the movie, Kathir (Karu Palaniappan) is a talented architect known for hiscreativity. His straight and direct attitude in life fetches him respect andcontempt as well. But he lives a carefree life complete with wine and women.Then Nandini (Meenakshi), an executive in a car showroom, enters his life andthings change.Kathir works out the architectural plan for Nandini`s office and impresses herwith his work and attitude. Kathir sees shades of his mother in Nandini. Loveblossoms between them but Kathir`s father warns him against trusting the girl.The father feels there could be another side to her character as she lovesKathir despite knowing the kind of life he led.Kathir starts believing his father and starts behaving in a bizarre manner withNandini. A twist takes place just before intermission and the rest of the moviedeals with Kathir`s past and future.Unlike in Bollywood, it`s a rarity in the Tamil film industry to see a flawedpersonality as the protagonist in a movie. The director portrays the delusion ofthe protagonist really well. The mystery behind his behaviour too has beenbrought out well.The problem with the narrative is that it takes quite some time to take off andmore time to wind up. Palaniappan fails to tell his story in a gripping manner,especially in the second half.Palaniappan and Meenakshi fit into their roles perfectly. Like we have seen inPalaniappan`s earlier films, the heroine gets a meaty role and in this case,Meenakshi meets the challenge despite being known only for glamourous roles tillnow.Palaniappan, as the caustic Kathir, is perfect but he is not convincing enoughin emotional sequences.Santhanam, as Kathir`s friend, provides some much-needed comic relief. But someof the humour can be embarassing for audiences.Bhaskar Shakthi deserves to be lauded for his sharp dialogues characterizing theprotagonist.However, Vidyasagar`s music is not up to the mark."Mandhira Punnagai" is a bold attempt to view a man`s life from apsychological perspective. It would have been a far better movie if the directorhad concentrated more on the script in the second half. 2b1af7f3a8