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In order to better understand the full impact of the storm on New Orleans, we strongly recommend that you carefully study the map-based time-series evaluation of the impact of Hurricane Katrina as it came ashore. The Times Picayune Newspaper produced an excellent interactive module that tracks the flooding from levee and flood wall failures as they happened. Each scene includes pop-up dialogue boxes that will guide you through the storm. As you work through the scenes, play special attention to the areas that became flooded (shaded in blue) and the areas where levees were compromised and breached either due to poor construction and failure or surge levels that overtopped them. The maps and detail are incredible, but how much was actually affected? Thanks again to the Times-Picayune for another infographic that shows the actual standing floodwater levels that occurred as a result of the storm. Exactly how much water flooded areas like Gentilly and Lakeview on the southern shores of Lake Ponchartrain? How much water flooded the Lower 9th Ward where many of the casualties were sustained? In fact, after all was said and done, the only areas that sustained little flood damage or none at all were the uptown districts and areas located on and immediately adjacent to the natural levees formed as the banks of the Mississippi River.
A year ago, when nobody knew who they were, the demonic L.A. skate-rat rap collective Odd Future Wolf Gang Kill Them All cranked out music at an alarming rate. And now that nobody will shut up about them, they're still doing the same thing. Since 2008, Odd Future have released no fewer than 12 full-length albums, as well as assorted between-releases singles-- all available free on their Tumblr. Some of those releases are brilliant, paradigm-shifting works of violent vision. Others are entirely forgettable. Almost all of them are worth your hard-drive real estate, and almost all of them will confound you in one way or another. Below, you'll find a guide to every single one of those albums, from their introductory 2008 mixtape The Odd Future Tape to Frank Ocean's Nostalgia, Ultra., the experimental R&B tape that the crew released just a few weeks ago.
A couple of the tracks here later showed up on Tyler's Bastard album, and he's so far beyond everyone else here that it's ridiculous. "Bitches Brewin'" is a well-done story-song about losing his virginity to a 26-year-old, "Commercial" vents pure rage at his absent father almost as forcefully as he'd later do on "Bastard", and "Pimp Slap" gives us this immortal boast: "Fuck dogs, I walk around with my pet dinosaur." But Tyler's most illuminating moment on the album comes on the outro "Fin", where he offers thanks to everything that ever inspired him. It's a list that includes the 212 bus, D12's Devil's Night, Maxwell's Urban Hang Suite, "Reading Rainbow", Terry Richardson, Hitler, Mussolini, Salvador Dali, "all the porn in the world," and Dr. Seuss.
Jet Age is Odd Future producer the Super 3 making spaced-out, synthetic jazz-funk. The Super 3 is into woozy textures and pillowy keyboard settings, and the music he makes is a far cry from anything else you'll find on the Odd Future Tumblr. Voyager is mostly an instrumental album, and there's barely any rapping here at all. There's a serious sci-fi bent to the proceedings that's more Gorillaz than Sun Ra. Sample song title: "They Dove Through the Ice Into the Unfathomable Depths of the Abyss". Voyager is the one Odd Future album I can play around my daughter without fear of warping her brain. It's strictly background fare, and it's not even especially pleasant or interesting, but its existence within the context of Odd Future says a lot about the group. Tyler, for one, is a massive and vocal fan of N.E.R.D., and in Voyager, you can hear some of the same art-pop drive that periodically leads the Neptunes to stop cranking out massive hits long enough to make conceptual party-funk. Jet Age's inclusion also signals that Odd Future is something more than an insurgent rap crew. It's a fully imagined aesthetic art project, one with room for a lot of musical ideas.
Since releasing The Dena Tape, Hodgy Beats has sharpened up his technical rapping skills, but he's still a supporting-actor type, best used as the guy who comes in to calm things down in between a couple of manic Tyler verses. But thanks to Left Brain, he's the star rapper on what might be the single best-produced Odd Future album. Left Brain's beats on BlackenedWhite are truly powerful. Synths blare and roil, drums drop out at unexpected moments, warped melodies flit in and out at bizarre moments. "Loaded" is a chilly, bass-heavy storm of layered-up horror-movie keyboard tones. "Dead Deputy" sounds like a Lil Jon track played backwards and muffled with a pillow. "Right Here" is a frozen field of piano plinks with an elegantly looped stand-up bassline. And then there's "Fuck the Police", a chaotic near-masterpiece that would've fit in just fine on Waka Flocka Flame's Flockaveli. It's the sort of thing that should start brawls when they do it live, and I'm almost certain that was the intent. 2b1af7f3a8