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Solomon Northup's story of his kidnapping and sale into slavery got widely read upon its original publication but then disappeared as the Confederates built up an idealized image of the antebellum south (exemplified in "Gone with the Wind"). Now that Northup's story has gotten brought to the screen, it's important for everyone to see it. "12 Years a Slave" not only takes an uncompromising look at the sheer brutality of slavery, but also shows how nothing could take away Northup's dignity and his hope that he would one day be a free man again. One of the ugliest scenes is the whipping of a slave for perceived disobedience.Most of the credit goes to Chiwetel Ejiofor as Northup, showing him to be a man who wouldn't let even the most vicious treatment break him. The rest of the cast deserves ample kudos, but Steve McQueen deserves credit for bringing to the screen a story that got suppressed for over a century.This movie should also motivate us all to take a serious look at the plantation system and the fact that the US economy got built on it. George Washington and Thomas Jefferson owned slaves, and the White House is the product of slave labor.In the end, this definitely deserved Best Picture. Three quarters of a century after the pro-Confederate "Gone with the End" won big, we are finally seeing atonement. If you see only one movie this year, make it "12 Years a Slave".
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A short distance from the great house, were the stately mansions of the dead, a place of somber aspect. Vast tombs, embowered beneath the weeping willow and the fir tree, told of the antiquities of the Lloyd family, as well as of their wealth. Superstition was rife among the slaves about this family burying ground. Strange sights had been seen there by some of the older slaves. Shrouded ghosts, riding on great black horses, had been seen to enter; balls of fire had been seen to fly there at midnight, and horrid sounds had been repeatedly heard. Slaves know enough of the rudiments of theology to believe that those go to hell who die slaveholders; and they often fancy such persons wishing themselves back again, to wield the lash. Tales of sights and sounds, strange and terrible, connected with the huge black tombs, were a very great security to the grounds about them, for few of the slaves felt like approaching them even in the day time. It was a dark, gloomy and forbidding place, and it was difficult to feel that the spirits of the sleeping dust there deposited, reigned with the blest in the realms of eternal peace.
An instance of this sort is furnished in the case of a family who lived directly opposite to our house, and were named Hamilton. Mrs. Hamilton owned two slaves. Their names were Henrietta and Mary. They had always been house slaves. One was aged about twenty-two, and the other about fourteen. They were a fragile couple by nature, and the treatment they received was enough to break down the constitution of a horse. Of all the dejected, emaciated, mangled and excoriated creatures I ever saw, those two girls--in the refined, church going and Christian city of Baltimore--were the most deplorable. Of stone must that heart be made, that could look upon Henrietta and Mary, without being sickened Page 149to the core with sadness. Especially was Mary a heart-sickening object. Her head, neck and shoulders, were literally cut to pieces. I have frequently felt her head, and found it nearly covered over with festering sores, caused by the lash of her cruel mistress. I do not know that her master ever whipped her, but I have often been an eye witness of the revolting and brutal inflictions by Mrs. Hamilton; and what lends a deeper shade to this woman's conduct, is the fact, that, almost in the very moments of her shocking outrages of humanity and decency, she would charm you by the sweetness of her voice and her seeming piety. She used to sit in a large rocking chair, near the middle of the room, with a heavy cowskin, such as I have elsewhere described; and I speak within the truth when I say, that those girls seldom passed that chair, during the day, without a blow from that cowskin, either upon their bare arms, or upon their shoulders. As they passed her, she would draw her cowskin and give them a blow, saying, "move faster, you black jip!" and, again, "take that, you black jip!" continuing, "if you don't move faster, I will give you more." Then the lady would go on, singing her sweet hymns, as though her righteous soul were sighing for the holy realms of paradise.
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