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The movie also has a third character, the real estate agent Sarah (Karen Allen), who is trying to sell real estate to whites and blacks alike. She is a slim, pretty woman, who is clearly unhappy, and her story is a standard one: Her husband walked out on her and she is living alone. She spends her time hanging around the black community, and her attitude toward blacks is one of contempt. She is wary of blacks and is suspicious of the racial tolerance that she sees among her white friends.
The other main character is a white woman named Colleen (Tatiana Maslany), who is an antiques dealer in the suburbs. She is Catholic and conservative, and lives with her parents and her daughter (an attractive young woman who looks like Amelie, the daughter of the actress Audrey Tautou). She is offended by Ollie's treatment of her family and is constantly on the lookout for potential boyfriends. Her mother is a nurse, and she believes that Ollie's life would be easier if he were to get a job and take care of his family himself.
The movie's main character is a 25-year-old black man named Ollie (Nakano), who works in a chicken-processing plant and lives in the projects where he and other blacks work. He is struggling to support his family, which includes four children. He is as angry as anyone about racial slights, but is also able to look at himself with a bit of detachment, because he is a pragmatist: He doesn't want to go back to prison, and he knows that a criminal record would prevent him from obtaining a decent job. So he does what he has to do to survive.
In a sense, the movie is an assault on political correctness. The color line separating black from white is real, and the movie makes that clear. But it also shows that it is a myth that the black and white people are opposites, and that the color line may be the only thing they have in common. The white characters are not seen as victims, but as people trapped in a system that keeps them oppressed and poor. They are not primarily victims, they are oppressors. The blacks are presented as victims, but then they are shown as liars and cheaters who hide what they are and, particularly in the last scene, may even be criminals.
The movie does not solve the problem of the color line, but it does challenge the idea that blacks and whites are fundamentally different, and that the color line is morally justifiable. It also shows that, whether you are black or white, there are many things that you share with the other race. You may not be with them because of the color line, but you may be with them because of your own racial prejudice. And you should be ashamed of that.
But the movie is more than a clever reversal of stereotypes. It also emphasizes the emotional and psychological costs of the color line and demonstrates the way the other racial group uses that line against the blacks in the film. It also highlights the way in which emotions are brought to bear by the black characters themselves. The movie presents the black characters as victims of a system that has victimized them by forcing them into a position of inferiority. 827ec27edc